|July 12, 2019|
|Sioux Falls, SD|
4th Annual Wiley’s Block Party Ft. Mitchell Tenpenny with special guest, Goodroad
Outdoors at 6th & Main
Friday, July 12th
21+ | Fast Pass Gate 5:30pm | GA Gate at 6:00pm
Early Bird: $20 (April 19 – April 25)
General: $25 (April 26 -June 27)
Last Call: $30 (June 28 – July 12)
Fast Pass: $75 (limited availability)
On the heels of his RIAA-certified Gold single, “Drunk Me,” comes Tenpenny’s major label debut album, Telling All My Secrets. Revealing a wide range of influences and a level of assurance and confidence that comes from already having years of songwriting and touring behind him, the record marks the arrival of an artist recently singled out by Billboard as a pick to “break out” by the end of 2018, and as one of Pandora’s Artists to Watch in 2019.
Of course, these predictions aren’t all that bold, since Tenpenny’s first single and No. 1 hit “Drunk Me” has earned more than 120 million on-demand streams and surpassed 500,000 certifiable units in the U.S. The New York Times named it one of the best songs of 2018, and the singer claims that he knew the song was special as soon as he recorded it.
Tenpenny first picked up a guitar at the age of 13, and after graduating with a music business degree from Middle Tennessee State University, he began his professional career. The 2015 Black Crow album featured cameos from the SteelDrivers, Ace Frehley and Brian “Head” Welch from Korn. In 2017, his Linden Ave. EP made it to No. 6 on the Billboard “Heatseekers” chart.
Concurrently, he was seeing success as a songwriter, most notably co-writing Granger Smith’s Top 10 hit “If the Boot Fits.” Along the way, he has toured with the likes of Maren Morris, Jake Owen, Brett Young, Cole Swindell, Lynyrd Skynyrd and Dustin Lynch.
The official line has been that Mitchell Tenpenny wrote 56 songs for the album that became Telling All My Secrets, his Riser House/Columbia Nashville debut, but he admits that it was really several hundred, and that he can feel the growth in his work as he gains more experience. “My writing is getting more mature, more honest,” he says. “When you’re younger, you’re afraid to sing a lot of things, but as you get older, that wall starts to fall down. I’m talking about things that people my age are dealing with on a daily basis, and the best thing is to have that vulnerability.
“I’ve seen more, traveled more, and you see the world and learn what people want. As you get older, you get a little wiser—I’m not saying that I’m wise, but I’m learning every day, and that comes out in the songs.”